BLEEDLINE™
Trust and privacy

Your work and Bleedline

What happens to your scripts and art in Bleedline: who can see them, how they’re kept safe, how to take them with you, and how to delete them. In plain words, and kept up to date as Bleedline changes.

Last updated November 3, 2026

The short version

Your work belongs to you

The scripts, characters, Story Bible entries, art and lettering you make or upload are yours, or belong to whoever holds their rights. Bleedline is the workspace, not the owner.

Here’s everything Bleedline does with your work: it stores it and backs it up; makes smaller previews and print copies of your art; shows it to you, your team, and anyone you or your team send a share link to; puts short pieces of it in notifications to your team (a comment, a page name); turns it into the files you export, and sends those to Google Drive or Dropbox when you ask; and lets admins review anything that’s been reported. We don’t publish it, sell it, license it to anyone, or use it to promote Bleedline without asking you first.

Who can see your work

What the Bleedline team can see

Bleedline is made by OLGB Publishing. A few people on our team are admins, so they can help when something goes wrong and keep Bleedline safe. Admins can see:

Admins can also suspend an account and remove reported content. Bleedline’s admin tools can open a stored image when a report is being reviewed; we don’t use that to look at your work otherwise. As with any online service, the people who run the database could technically reach it; we only do so to review a report, to fix a problem you’ve asked us about, or when the law requires it.

Every change an admin makes (giving or ending a plan, suspending an account, removing reported content, pausing or restoring uploads, deleting a stored file, sending an invite again, adding or removing an admin) is written to a log of who did it, when, and to whose account. Nobody can change or remove an entry from inside Bleedline, admins included.

Looking up an account isn’t logged yet.

AI and your work

Bleedline doesn’t generate art or writing with AI. We never use your scripts, art or Story Bible to train AI models, and we never sell, license or give them to anyone for that.

Comic conventions, publishers and contests increasingly ban AI-generated work. We think a tool for comic creators should stay on the creators’ side. (Once you export a file or send it to another service, that service’s own rules apply.)

Saving, history and backups

Taking your work with you

Your scripts and pages aren’t locked into Bleedline. At any time you can export:

You can also have every download copied to your Dropbox automatically (and to Google Drive once that opens; see below). Once plans open, page images exported from a series on the Free plan carry a small Bleedline mark; scripts never do.

The Story Bible (the artist brief, characters and their relationships, continuity notes, locations and world notes) downloads as a PDF or a Word file, for anyone on the series.

The whole series in one file. A series’ owner can download a backup from Organize: every issue (archived ones too) with its script, layout, lettering, outline, stages and assignments, plus the Story Bible, the relationship map, the brief, comments, script snapshots and the team’s names, roles and email addresses (so keep it private). The art comes separately, one ZIP per issue with the original files, plus one for the Story Bible and brief pictures and the series’ own lettering fonts. Loading a backup always makes a new series of yours; nothing you already have is changed. Its pictures and fonts come back when you load its art ZIPs, and the old team is listed for you to invite again; nobody is emailed until you do.

Backups and art ZIPs are the owner’s, because the owner decides about the series as a whole. A series’ owner can also choose “Only I can download the finished comic” (off unless they turn it on): then the assembled and lettered PDFs, print PDFs, comic-reader files, page images and webtoon exports are the owner’s only, while the team still reads the finished comic in Bleedline and downloads scripts and their own files. It’s a setting in Bleedline, not a lock on the art itself.

Google, Discord and Dropbox

Plans and payments

Paid plans aren’t open yet. During the beta there are no plan limits except 2 GB of storage per series owner. When plans open:

Deleting your work or account

A series

The owner can delete an archived series. It’s removed for good 14 days later, along with its art (except images that were reported, kept as evidence); until then you can cancel. Teammates are told before it goes.

Your account

Go to Edit profile, Profile, Delete account. If other people work on a series you own, you hand it over to one of them or delete it first. You then have at least 14 days to change your mind (longer if a subscription is still set to renew, or a shared series is still on its way out). After that:

Some things are kept: content that was reported, as evidence; reports you made and feedback you sent, without your email; the admin log, which shows “deleted account” instead of your email; Stripe’s own payment records; and the weekly backups, which age out as described above.

Reports and removals

Anyone can report something that breaks Bleedline’s rules: members with the Report button next to images and comments, and anyone else with the Report this page link on a share page or the report form, no account needed. A person on the Bleedline team reviews every report. We don’t tell the person reported who reported them, except that we pass copyright notices on to the person whose material was removed.

Removed files aren’t deleted straight away: they’re kept for a year as a record of the report, where only the people handling reports can reach them, then deleted. Anything reported to the National Center for Missing & Exploited Children is kept for at least a year from that report, as the law requires. Closed reports are deleted a year after they’re closed (unless the law requires us to keep them longer). Invites nobody takes up expire after 90 days.

Members under 18

You need to be at least 13 to use Bleedline, or 16 if you live in the European Union, the United Kingdom or Quebec. Before an account is made (also before you continue with Google or Discord), Bleedline asks your date of birth and whether you live in one of those places; only the yes or no is kept, never your country. If the answer is under the minimum age, no account is made and nothing you entered is kept, apart from a note in that browser for one day so the question can’t simply be answered again with a different year. (Accounts made before this, and anyone who says they already have an account when continuing with Google or Discord, are asked at their first sign-in.) An account that turns out to be under that age is deleted the next day, along with its own series, even ones other people work on (they’re told), and the comments and files it added to other people’s series (except anything kept for a report). Members aged 13 to 17, and accounts that haven’t given a birthday yet, can’t add a profile photo or see other members’ photos, can’t join or open a series labelled Mature, can’t make share links, and aren’t offered the Bleedline news list. Their notification emails start switched off, and once plans open they stay on the Free plan.

Emails

Bleedline emails you what’s needed to run your account (confirming your email, resetting your password, team invites) and notifications about your team’s work: a daily summary unless you change it in Edit profile, Notifications. Bleedline news from OLGB Publishing is sent only if you tick the box for it. Every notification email has a one-click unsubscribe, and every news email has an unsubscribe link. If someone invites you and you don’t have an account, the invite email has a link to stop all invite emails to your address.

Services Bleedline uses

Bleedline runs on a few other companies’ services. Each gets only what it needs:

Questions and requests